Toroko deliberately positions itself on the boundary between an object and a piece of furniture. It can function both as a daybed as well as a low table, yet it transcends a purely functional role through its sculptural character. The composition is built on a horizontal layering of solid wood, where the power of volume meets the precision of joinery. The robust base suggests stability and monumentality, while the refined detailing and tactile quality of the material add a more intimate layer. The piece carries the architectural language of Lefèbvre Lannaux from within, a rational logic that is subtly disrupted by poetic tension. This tension reveals itself in the rhythm of proportions, in the refined details of the joints, and in the natural grain of the wood. As a daybed, the piece invites stillness and contemplation. As a low table, it becomes a central, grounding element in the space. In both roles, the essence remains intact: a monolithic object that embodies calm, order, and refinement.

Toroko embodies the essence of the 5.8 collection: a rational logic softened by the organic grain of the wood. This tension between rigidity and softness makes the piece both firmly grounded and invitingly tactile.

Toroko is more than just a piece of furniture, it is an architectural gesture. It is a contemporary interpretation of classical proportions, translated into a collectible design object that brings together calm, order, and beauty.